Scrivener Keyboard Shortcuts for Mac

Scrivener Keyboard Shortcuts for Mac

If you use Scrivener, it’s likely that you’re interested in maximizing your writing productivity. Scrivener is a powerful writing tool that gives you flexibility and control over almost every aspect of your writing. One of the best ways to speed up your writing workflow is to become a power user through the use of keyboard shortcuts. Below I’ve included a comprehensive list of Scrivener’s keyboard shortcuts for the Mac version of Scrivener.  

Scrivener Keyboard Shortcuts for Mac

  • ⌘ = Command Key (Apple Key)
  • ⌥ = Option Key (Alt Key)
  • ⇧ = Shift Key
  • ⌃ = Control Key
  • ↑ = Up Arrow Key
  • ↓ = Down Arrow Key
  • → = Right Arrow Key
  • ← = Left Arrow Key
  • ↩ = Return Key
  • ⎋ = ESC Key (or ESC)
  • ⇥ = Tab Key
  • ⌫ = Delete Key

Shortcut List

SCRIVENER

  • Preferences ⌘,
  • Hide Scrivener ⌘H
  • Hide Others ⌥⌘H
  • Quit Scrivener ⌘Q

FILE

  • New Project ⇧⌘N
  • Open… ⌘O
  • Close Project ⇧⌘W
  • Close Project and Clear Interface Settings ⌥⇧⌘W
  • Close Window ⌘W
  • Save ⌘S
  • Save and Rebuild Search Indexes ⌥⌘S
  • Save As… ⇧⌘S
  • Import > Files… ⇧⌘I
  • Import > Web Page… ⌥⌘W
  • Export > Files… ⇧⌘E
  • Page Setup… ⇧⌘P
  • Print Current Document… ⌘P
  • Compile Draft… ⌥⌘E

EDIT

  • Undo ⌘Z
  • Redo ⇧⌘Z
  • Cut ⌘X
  • Copy ⌘C
  • Copy Special > Copy without Comments and Footnotes ⌥⇧⌘C
  • Paste ⌘V
  • Paste and Match Style ⌥⇧⌘V
  • Select All ⌘A
  • Select Current Text ⌥⌘A
  • Complete ⌥⎋
  • Complete Document Title ⌃⎋
  • Insert > Line Break ⌥⌘↩
  • Insert > Bookmark Annotation ⇧⌘B
  • Insert > Current Date & Time ⌥⇧⌘D
  • Scrivener Link > New Link… ⌘L
  • Find > Find… ⌘F
  • Find > Find Next ⌘G
  • Find > Find Previous ⇧⌘G
  • Find > Use Selection for Find ⌘E
  • Find > Jump to Selection ⌘J
  • Find > Project Search ⌃⌥F
  • Find > Find by Formatting… ⌃⌥⌘F
  • Find > Find Next Formatting ⌥⇧⌘G
  • Find > Find Previous Formatting ⌃⌥⌘G
  • Spelling and Grammar > Show Spelling and Grammar ⌘:
  • Spelling and Grammar > Check Document Now ⌘;
  • Spelling and Grammar > Check Spelling While Typing ⌘\
  • Special Characters ⌥⌘T

Scrivener Resources

VIEW

  • Document/Scrivenings ⌘1
  • Corkboard ⌘2
  • Outline ⌘3
  • Zoom > Zoom In ⇧⌘>
  • Zoom > Zoom Out ⇧⌘<
  • Go To > Previous Document ⌥⌘↑
  • Go To > Next Document ⌥⌘↓
  • Go To > Enclosing Group ⌃⌘R
  • Go To > Editor Selection ⌘4
  • Layout > Show/Hide Binder ⌥⌘B
  • Layout > Show/Hide Inspector ⌥⌘I
  • Layout > No Split ⌘’
  • Layout > Split Horizontally ⌥⌘=
  • Layout > Split Vertically ⌘”
  • Layout > Show Layouts ⇧⌘)
  • Editor > Lock in Place ⌥⌘L
  • Editor > Forward in Document History ⌘]
  • Editor > Backward in Document History ⌘[
  • Editor > Other Editor > Forward in History ⌥⌘]
  • Editor > Other Editor > Backward in History ⌥⌘[
  • Editor > Other Editor > Scroll Up ⌃⌥⌘↑
  • Editor > Other Editor > Scroll Down ⌃⌥⌘↓
  • Media > Play Media FIle ⌘↩
  • Media > Fast Forward ⌥⌘}
  • Media > Rewind ⌥⌘{
  • Page View > Show/Hide Page View ⌥⇧⌘P
  • Corkboard > Show Pins ⌃⌘P
  • Corkboard > Show Stamps ⌃⌘S
  • Corkboard > Show Keyword Colors ⌃⌘K
  • Move Focus To > (Next Pane) ⌃⇥This menu item cycles left to right through Binder, Left/Top Editor, Right/Bottom Editor, changing to the next target.
  • Move Focus To > Binder ⌃⌥⌘B
  • Move Focus To > (Left/Bottom) Editor ⌃⌥⌘E
  • Move Focus To > Right/Top/Supporting Editor ⌃⌥⌘R
  • Inspect > Synopsis ⌃⌥⌘I
  • Inspect > Notes ⌃⌥⌘H
  • Inspect > References ⌃⌥⌘N
  • Inspect > Keywords ⌃⌥⌘J
  • Inspect > Custom Meta-Data ⌃⌥⌘M
  • Inspect > Snapshots ⌃⌥⌘M
  • Inspect > Comments and Footnotes ⌃⌥⌘K
  • Outline > Expand All ⌘9
  • Outline > Collapse All ⌘0
  • Outline > Previous Container ⌃⌥↑
  • Outline > Next Container ⌃⌥↓
  • Reveal in Binder ⌥⌘R
  • Enter/Exit Full Screen [OS 10.7 (Lion)+ Only] ⌃⌘F
  • Enter/Exit Composition Mode ⌥⌘FYou can also use ⎋ to exit composition mode if this option is selected in Scrivener > Preferences:Compose.

PROJECT

  • New Text ⌘N
  • New Folder ⌥⌘N
  • New From Template > (First Template Document) ⌥⇧⌘NIf you set a Template Folder, this shortcut is applied to the top document in the folder
  • Show/Hide Project Targets ⇧⌘T
  • Text Statistics ⌃⌥⌘S
  • Project Statistics ⌥⇧⌘S
  • Project Notes ⌥⌘P
  • Show/Hide Project Keywords ⌥⇧⌘H
  • Meta-Data Settings… ⌥⌘,

DOCUMENTS

  • Open > in (Left/Bottom) Editor ⌥⌘O
  • Open > in Right/Top/Other Editor ⇧⌘O
  • Open > With All Subdocuments > On Editor Corkboard ⌥⇧⌘O
  • Open > in External Editor ⌃⌘O
  • Snapshots > Take Snapshot ⌘5
  • Snapshots > Take Snapshot With Title ⇧⌘%
  • Snapshots > Show Changes > Next Change ⌃⌘]
  • Snapshots > Show Changes > Previous Change ⌃⌘[
  • Duplicate > with Subdocuments and Unique Title ⌘D
  • Duplicate > without Subdocuments ⇧⌘D
  • Set Selection as Title ⌥⇧⌘T
  • Move to Trash ⌘⌫
  • Split > at Selection ⌘K
  • Split > with Selection as Title ⌥⌘K
  • Merge ⇧⌘M
  • Group ⌥⌘G
  • Ungroup ⌥⌘U
  • Move > Left ⌃⌘←
  • Move > Right ⌃⌘→
  • Move > Up ⌃⌘↑
  • Move > Down ⌃⌘↓

FORMAT

  • Font > Show Fonts ⌘T
  • Font > Bold ⌘B
  • Font > Italic ⌘I
  • Font > Underline > Single ⌘U
  • Font > Strikethrough ⇧⌘_
  • Font > Bigger ⌘+
  • Font > Smaller ⌘-
  • Font > Show Colors ⇧⌘C
  • Font > Copy Font ⌥⌘C
  • Font > Paste Font ⌥⌘V
  • Text > Align Left ⌘{
  • Text > Center ⌘|
  • Text > Justify ⌥⌘|
  • Text > Align Right ⌘}
  • Text > Copy Ruler ⌃⌘C
  • Text > Paste Ruler ⌃⌘V
  • Lists > Next List Style ⌥⌘→
  • Lists > Previous List Style ⌥⌘←
  • Formatting > Copy Formatting ⌃⌥⌘C
  • Formatting > Paste Formatting ⌃⌥⌘P
  • Scriptwriting > Script Mode ⌘8
  • Scriptwriting > Show Script Elements Menu ⇧⌘Y
  • Show/Hide Ruler ⌘R
  • Show/Hide Format Bar ⇧⌘R
  • Highlight > Highlight ⇧⌘H
  • Comment ⇧⌘*
  • Footnote ⌃⌘8
  • Inline Annotation ⇧⌘A
  • Inline Footnote ⇧⌘F
  • Options > Typewriter Scrolling ⌃⌘T
  • Bibliography/Citations… ⌘Y

WINDOW

  • Minimize ⌘M
  • Minimize All ⌥⌘M
  • Zoom ⌃⌘-
  • Zoom All ⌃⌥⌘-
  • Zoom to Fit Screen ⌃⌘=
  • Layouts > Manage Layouts ⇧⌘)
  • Float QuickReference Panels ⌃⌘Q

Miscellaneous

  • Help ⇧⌘?
  • Open/Close Scratch Pad ⇧⌘↩The Scratch Pad hot key can be set in Scrivener > Preferences:General.

Inspector

  • Document/Project Notes ⌘6
  • Document/Project References ⌘6

Scrivener Keyboard Shortcuts for Windows

Scrivener Keyboard Shortcuts for Windows

If you use Scrivener, it’s likely that you’re interested in maximizing your writing productivity. Scrivener is a powerful writing tool that gives you flexibility and control over almost every aspect of your writing. One of the best ways to speed up your writing workflow is to become a power user through the use of keyboard shortcuts. Below I’ve included a comprehensive list of Scrivener’s keyboard shortcuts for the Windows version of Scrivener.

 

Scrivener Keyboard Shortcuts for Windows Documents

  • Move Item Up: Ctrl+Up
  • Remove Item Shift+Del
  • Move Item Down: Ctrl+Down
  • Move Item Left: Ctrl+Left
  • Move Item Right: Ctrl+Right
  • Split At Selection: Ctrl+K
  • Split With Selection as name: Ctrl+Shift+K
  • Set Selection as name: F2
  • Duplicate Item With SubDocuments: Ctrl+D
  • Duplicate Item Without SubDocuments: Ctrl+Shift+D
  • Take Snapshot: Ctrl+5
  • Take Snapshot With name: Ctrl+Shift+5
  • Open in Editor: Ctrl+Shift+Return
  • Open in Other Editor: Ctrl+Alt+Return
  • Open In External Editor: Ctrl+F5
  • Group Selection: Ctrl+G
  • UnGroup Selection: Ctrl+Shift+U
  • Merge Documents: Ctrl+M

Scrivener Keyboard Shortcuts for Editing

  • Add Current To Completions: Ctrl+Alt+=
  • Show Spelling: Ctrl+8, B
  • Insert Image: Ctrl+Shift+H
  • Insert Current Date and Time: Ctrl+F6
  • Project Search: Ctrl+Shift+G
  • Undo: Ctrl+Z
  • Redo: Ctrl+Y
  • Cut: Ctrl+X
  • Copy: Ctrl+C
  • Paste: Ctrl+V
  • Select All: Ctrl+A
  • Find Dialog: Ctrl+F
  • Find Next: F3
  • Find Previous: Shift+F3
  • Replace And Find Next: Ctrl+H
  • Paste And Match Style: Ctrl+Shift+V
  • Find By Format Dialog: Ctrl+F3
  • Find Next By Format: Ctrl+Shift+F3
  • Find Previous By Format: Ctrl+Alt+F3
  • Complete Current Word: Alt+=
  • Complete Current name: Ctrl+Alt+4

Scrivener Keyboard Shortcuts for Files

  • New Project: Ctrl+Alt+Shift+N
  • Open Project: Ctrl+O
  • Page Setup: Ctrl+Shift+P
  • Print: Ctrl+P
  • Close Project: Ctrl+F4
  • Save: Ctrl+S
  • Save As: Ctrl+Shift+S
  • Compile: Ctrl+Shift+E
  • Import Files: Ctrl+Shift+J
  • Import Web Page: Ctrl+Shift+W
  • Export Files: Ctrl+Shift+X

Scrivener Keyboard Shortcuts for Formatting

  • Toggle Invisibles: Ctrl+Shift+\
  • Toggle Ghost Notes: Ctrl+Shift+7
  • Show Citations: Ctrl+8, C
  • Toggle Ruler: Ctrl+Shift+R
  • Fonts: F4
  • Toggle FormatBar: Alt+Right
  • Toggle Typewriter Scrolling: Meta+Ctrl+T
  • Annotation: Ctrl+Shift+A
  • Footnote: Ctrl+Shift+F
  • Script Writing: Ctrl+4
  • Outlined: Ctrl+;
  • Script Elements Popup: Ctrl+\
  • Strike Through: Ctrl+Shift+-
  • Bold: Ctrl+B
  • Enlarge Font: Ctrl+>
  • Italic: Ctrl+I
  • Shrink Font: Ctrl+<
  • Underlined: Ctrl+U
  • Super Script: Ctrl+Alt+]
  • Sub Script: Ctrl+Alt+[
  • To name Case: Ctrl+6
  • To Smart Quotes: Ctrl+`
  • To Straight Quotes: Ctrl+Shift+`
  • To Single Spaces: Ctrl+Space
  • Align Left: Ctrl+L
  • Copy Style: Ctrl+Shift+C
  • Align Center: Ctrl+E
  • Paste Style: Ctrl+Shift+Y
  • Align Justified: Ctrl+J
  • Copy Ruler: Ctrl+Alt+7
  • Align Right: Ctrl+R
  • Paste Ruler: Ctrl+Alt+8
  • Single Line Spacing: Ctrl+Shift+1
  • Double Line Spacing: Ctrl+Shift+2
  • Single Half Line Spacing: Ctrl+Shift+3

Scrivener Keyboard Shortcuts for the Fullscreen Option

  • Full Screen Keywords: Ctrl+Alt+6
  • Full Screen Go To: Ctrl+Alt+5

Scrivener Keyboard Shortcuts for the Help Option

  • Scrivener Manual: F1

Scrivener Keyboard Shortcuts for Other

  • Increase Left Indent: Ctrl+Q
  • Decrease Left Indent: Ctrl+Shift+Q
  • Increase Text Indent: Ctrl+T
  • Decrease Text Indent: Ctrl+Shift+T

Scrivener Keyboard Shortcuts for the Project Menu

  • Project Statistics: Ctrl+.
  • Text Statistics: Ctrl+/
  • Add New Text: Ctrl+N
  • Project Targets: Ctrl+,
  • Add New Folder: Ctrl+Shift+N
  • Toggle Keywords HUD: Ctrl+Shift+G
  • Edit Meta Data: Ctrl+Shift+M
  • Show Auto Complete List: Ctrl+Shift+4

Scrivener Keyboard Shortcuts for the Tools Menu

  • Toggle Scratch Pad: Ctrl+Alt+Shift+P
  • Preferences: F12

Scrivener Keyboard Shortcuts for View

  • Previous Container: Ctrl+Shift+Up
  • Next Container: Ctrl+Shift+Down
  • Previous Document: Alt+Shift+Left
  • Next Document: Alt+Shift+Right
  • Enclosing Group: Alt+Shift+Up
  • Editor Selection: Alt+Shift+Down
  • Toggle Main ToolBar: Alt+Left
  • Toggle Collections: Ctrl+Shift+9
  • Toggle Editor HeaderBar: Alt+Up
  • Play Pause Action: Ctrl+Return
  • Toggle Editor FooterBar: Alt+Down
  • Fast Forward Action: Ctrl+}
  • Rewind Action: Ctrl+{
  • Current Editor Back: Ctrl+[
  • Current Editor Forward: Ctrl+]
  • Alternate Editor Back:
  • Alternate Editor Forward:
  • Show Binder Tint: F5
  • Show Icon Tint: F6
  • Show Index Card Tint: F7
  • Show Outliner Tint: F8
  • Focus Next Major Element: Ctrl+Tab
  • Reveal In Binder: Ctrl+Shift+8
  • Show Index Card Label: F9
  • Show Index Card Status: F10
  • Show Index Card Keywords: Ctrl+F12
  • Toggle Binder: Ctrl+Shift+B
  • Toggle Inspector: Ctrl+Shift+I
  • Toggle FullScreen: F11
  • No Editor Split: Ctrl+’
  • Horizontal Editor Split: Ctrl++
  • Vertical Editor Split: Ctrl+Shift+’
  • Show Text: Ctrl+1
  • Show Corkboard: Ctrl+2
  • Show Outliner: Ctrl+3
  • Toggle Editor Lock: Ctrl+Shift+L
  • Zoom In: Ctrl+=
  • Zoom Out: Ctrl+-
  • Expand All:
  • Collapse All:
  • Collapse All To Current Level:
Brandon Sanderson Writing Class 318R

Brandon Sanderson Writing Class 318R

One of the most prolific fantasy authors of our generation, Brandon Sanderson, has been kind enough to record and share one of this BYU courses on writing. 

Below you’ll find 12 one hour classes that cover things like Plot, Character, Outlining World Building and many other important topics to writers. This is a wonderful free writing resource that he has given us, so take advantage. 

Brandon Sanderson’s Class Overview

Brandon Sanderson outlines the agenda for his twelve class course:

  1. Overview
  2. Cook vs Chef
  3. The Illusionist Writer
  4. World Building
  5. The Box
  6. The Business of Writing
  7. Character
  8. Magic Systems
  9. Brandon Mull Guest Lecture—Mull’s Writing Advice and Process
  10. Plotting
  11. Dialogue and Agents
  12. Q&A

Cook vs. Chef

In the Cook vs Chef class Brandon Sanderson compares writing to preparing food. Do you want to be a cook that just blindly uses the ingredients of story without truly understanding why those ingredients work, do you want to be a chef that understands how to mix and match flavors and foods to create a wonderful dining experience? He goes over various elements of story, and why they are used they way they are. 

The Illusionist Writer

In this episode Brandon compares writing to a stage magician or an illusionist. He goes into various tricks and techniques to suspend the reader’s belief as you are building out elements of your story like the promises you are subtly making to the reader, a sense of story progress and more. 

World Building

Brandon goes into detail about world building. He and the class brainstorm various layers of the writer’s world. Physical vs Cultural, and many other useful elements that will make world building easier, and more thorough. 

The Box

The box is an analogy that Brandon uses for the lens through which you present the world, and your characters. This colors everything, and essentially determines how the reader will experience your story.

The Business of Writing

In this session, Brandon reviews the business of writing, including factors such as:  focus on writing then exploitation (separately),  self-publishing, hybrid and small press, traditional publishing,  best seller lists, book tours,  marketing, publicity, Brandon’s early book tours, and bidding wars. 

Character

In this episode, Brandon discusses the pyramid of abstraction, the concept of show don’t tell, the grand skill, and his acronym PROMS (Past, Relationships, Obligations, Motivations, Sensibilities.)

Magic Systems

In this video, Brandon reviews the origin of Sanderson’s laws, Sanderson’s first law in detail, hard and soft magic systems, Sanderson’s second law in detail, Sanderson’s third law in detail, and Sanderson’s zeroth law.

Brandon Mull Guest Lecture

Brandon Mull, the other Brandon, introduces himself, then covers: characters,  gardeners and architects,  relationships,  trouble, decisions, consequences, YA / teen / middle grade, creative judgment, voice, the outline process, and making cool worlds

Plotting

Brandon (Sanderson) returns! He reviews what Plot is, promises, surprises v promises, making the middle interesting, bracketing,  middles, satisfying endings, and author voice.

Dialogue and Agents

In this episode Brandon reviews: dialogue, Motive, Individuality, Conflict, Realism, Objective, agents, and agent advice. 

Q & A

Brandon reviews the course and takes questions from the class.

The Magic Shop Audiobook and Narrator Interview

The Magic Shop Audiobook and Narrator Interview

The Magic Shop is out on audiobook format today for the first time! If you don’t have audible yet, you can click this link for an audible 30-day free trial and get The Magic Shop for free. If you want to check out an excerpt of the audiobook version of The Magic Shop, check out this post.
 
Equally awesome news is that the wonderful Steve Barnes (narrator of The Codex) is back to narrate the cast of crazy characters for The Magic Shop. I recently caught up with Steve to ask him a few questions about narrating books, and the process he goes through to bring them to life. 
 
steve-barnes

Steve Barnes – The Mii version 🙂

 
Tell us a little bit about yourself?
 
steve barnes

Real picture of Steve Barnes—Not a Mii.

I feel incomparably lucky to have existed this long without having been eaten by anything yet.  (On the whole, that’s an unusual privilege.)  On top of that, there’s interacting with goats, and looking at stars, the Internet, and built-in imaginations, for God’s sake – it’s absolutely incredible.  Um… you’d think that might not be specific to me, but feeling as though I’ve apprehended the situation in that way probably is the jumping-off point for my choices in life.
 
What was the inspiration behind becoming a voice actor?
 
I’m relatively new to published voice work – I’ve spent a lot of time working on music, art, stage shows, films, web pages, games… all of which function as gateways to allow someone to swim around in the imagination of someone else.  (And: oh hai, VR.)
 
I probably received the inspiration for audiobooks specifically through other performers.  I remember planning to record a Terry Pratchett novel or something just for fun before Audible existed.  I love the format itself because it combines an actual performance with intimacy and virtually limitless leisureliness which film versions of books can’t afford.  (In a way, one of my favourite films is that ages-long episodic adaptation of Pride and Prejudice with Colin Firth simply because it seemed designed on the principle that it should match the book detail-for-detail; it evidently treats the author’s words as the truth about the universe rather than some kind of malleable brainstorm, which I think is how it should be.  If an author says something happened, then it happened – it doesn’t even matter whether it makes sense.)
 
Can you tell us a little bit about the process of narration? What does your recording setup look like (what kind of mic, audio software, etc.) and where is it located?
 
I’ve been asked by curious people whether equipment is prohibitive, and it’s not.  As with most things audiovisual, reaching a technical quality of 90% of professional requires a little money, but approaching 100% requires a lot.  And it’s better to skillfully use okay equipment than to unskillfully use great equipment.  I’ve tried a few mics for narration, and I’m just using a sub-$100 cardiod mic at home – again, this has mostly been something I’ve done in my spare time for fun.  I hear narrators often experiment with crannies and closets to optimize their recording conditions.
 
What has been your favorite book to narrate?
 
I’m not sure I can pick one.  I’ll always have a place in my heart for Michael Wallace’s Starship Blackbeard universe – a sort of futuristic British Empire world with a colourful mixture of regular and transitory human and alien characters.
 
Any funny or interesting things happen while recording?
 
Perhaps funny to bystanders if they saw how stifling, haphazard and bizarre the internal journey can be – improving within countless hours of recording sessions feels robust and gruelling.  It’s amazing how quickly you become aware of your own idiosyncratic speech habits, and how many of them you discover up and down a seeming hierarchy of subtlety.  And since it all happens in isolation, it’s possible (and useful if done wisely) to become obsessive in examinating and updating them.  I’ve never done a novel without having felt like I’ve improved, and the “improvements” are usually the ticking-off of another handful of such subtleties.  Not to mention your awareness of external noises – I’ve never felt so much like anthropomorphizing the neighbour’s faucet or passing internal combusion engines just so I could momentarily be angry at them.  As though we needed another reason to applaud renewable energy.
 
How do you get into a book/story?
 
Occasionally time has only allowed me to sit down and cold-read – one perfectly respectable approach to narration is to read the text pleasantly and clearly with minimal interpretation – but I really prefer the chance to ingest a book, become a fan of it, envision the world, and most importantly, envision and empathize with the characters.  In theatre, it’s rare not to spend weeks on just one role, so it seems almost jarring not to take time preparing to perform an entire book by an author you may just have met.
 
How do you prepare for all the different characters and their tones/vocal ranges, and/or do you have a “library” of voices that you’ve created that helps you match voices to characters?
 
Audible listeners seem to have adopted the term “character differentiation.”  I’ve come to think of character voices as multi-dimensional things which vary along individual axes; the more aspects there are to vary, the more voices you can potentially create that a listener can distinguish.  Suppose pitch is a basic one – a listener can tell a higher voice from a lower voice, all other traits equal.  But if there are three or four characters, not so easily.  That calls for another attribute along a second axis – high-pitched and gentle, low-pitched and gentle, and low-pitched and irritable.  And so on, until you’re able to be as specific as “low-pitched, frontal, somewhat nasal, irritable, hurried and articulate.”
 
And even that’s pretty technical compared to the ideal of just feeling like you “know” a character, which for me sometimes happens over the course of a few chapters.  (Sometimes I’ve re-recorded certain characters’ earlier chapters for that reason.)  And that’s not even to mention regional dialects, which add another distinct dimension when appropriate.
 
What’s the best piece of voice acting advice you’ve received?
 
I’ve seldom sought acting advice, except maybe to listen to what the narrators I consider models say when they talk about it.  (Though I’ve worked with hundreds of interesting actors.)  I think that’s because I’ve done so many kinds of things previously that I’ve concluded the only real mistake you can make is to forget your own whimsy is the main ingredient.  Anyone relying overly on advice could forget that.
 
If you could choose any book to record, which one would it be? And which would be your worst nightmare?
 
Maybe a hypothetical book written by one of my closest friends, all of whom I think would be great authors.  I’ve enjoyed projects least which feel like attempts to capitalize on readers through flashy marketing in lieu of substance, or which neglect conventions and aren’t well-edited.
 
Any other projects you’re working on now, or recently finished?
 
I’ve hardly ever taken a break since starting, so I’d suggest anyone genuinely curious just search Audible.  Surprisingly, I’m still the only Steve Barnes narrating Audible releases – I don’t imagine that will last long.  (I once had a phone invitation to speak at a convention on the understanding that I was Steven Barnes, the sci-fi author.  Perhaps accepting it would have been a smart career move.)
 
There you have it. You can check out more of Steve’s voice work here if you’re interested! Don’t forget to check out The Magic Shop on audiobook here
NaNoWrimo Templates

NaNoWrimo Templates

NaNoWriMo 2016 is nearly upon us, and if you’re planning on participating, it’s probably time for you to start getting ready to write your guts out. Below I’ve included a list of NaNoWriMo templates that will help you get organized, and ready to plot, track, and write your way to the end of November.

If you’re a Scrivener user, you might find my free scrivener templates #1 and free scrivener templates #2 posts helpful for NaNoWriMo as well. You can also check out my Scrivener resources page. By the way, you can get a 20% discount on Scrivener just for participating in NaNoWriMo. So, if you haven’t bought it yet, get a free trial here, and if you decide to buy, use the discount code NANOWRIMO.

If you’re already a Scrivener user, and you’re just looking to get some top-notch training, you can go here for that. Now, on to the templates and other NaNoWriMo goodies!

NaNoWriMo Templates

Evernote’s blog has several templates for you to use for this year’s NaNoWrimo, including  Story Premise template, the Three-Act Story Plotting template, the Story Beats template, the Snowflake Method Checklist template, the Character Profile template, and the Worldbuilding Basics template.

Curiouser Editing wrote a post with a Novel Outlines worksheet.

NaNoWriMo Calendars and Progress Charts

The folks over at Byzantineroads have a bunch of themes calendars and progress charts for NaNoWriMo 2016. Here’s a list of them: The Typewriter Theme, A Neutral Theme, A Horror Theme, A Sci-Fi Theme, A Romance Theme, and A Punk Theme

David Seah has created a beautiful and detailed NaNoWriMo 2016 calendar that you can get here

Do NaNo Better
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NaNoWriMo Word Count Trackers

Justin McLachlan created an Excel tracker here that tracks your progress to your goal, and the other basics, like daily word count against your target, and the like. If you want to donate to him, he has a link for donating.

Story a Day has created a google doc word count tracker with conditional formatting that will make your word count go green when you hit you goal. Check it out here. 

 Mark Feenstra’s tracker is pretty cool too, especially because it tracks against the entire year, and not just November for NaNoWriMo. You can get that one here.

Svenja Gosen has created a more complete tracker for the writer that wants to keep tabs on character and plot information, as well as the standard stuff. You can download it here

Cameron Mathew has built another detailed tracker that not only tracks the basics, but tracks your morale, number of writing sessions, scenes completed, and other things.  Get it here.

If you don’t like any of the trackers above, you can always create your own. Nerds and Nonsense has written a nice post on how to create a word tracker for NaNoWriMo.

The Magic Shop Audiobook Edition

The Magic Shop Audiobook Edition

The Magic Shop Audiobook Edition

After a failed attempt with my first narrator, The Magic Shop is finally going to come to life in audiobook form, and I couldn’t be more ecstatic! The talented Steve Barnes, my narrator for The Codex, came back for another go with The Magic Shop. I just finished listening to and approving the whole production, and I am just astounded at all the character voices Steve was able to pull off (this includes various magical creatures.) It’s surreal listening to someone else not only read, but act out your writing. I know that sounds cliché, but that’s how it truly feels. This is an especially

 

steve barnes

Steve Barnes, Narrator

satisfying moment for me because I tried to bring the book to life once before, and when the narrator abandoned the project, I thought it might never see the light of day.

But we persevered!

According to Amazon, the audio version of The Magic Shop clocked in at 11 hours and 29 minutes. That’s a whole lot of listening time. Apparently that’s what 512 pages translates to. 🙂

Below I’ve included a retail sample of The Magic Shop for you to listen to, and the table of contents so you can get a sense of the book contents. Here’s a link to the Goodreads page in case you want to read some of the reviews.

The audiobook should be out on audible within the next couple of weeks. It’s likely that I’ll be running some contests for free download codes, so keep your eyes open if you’re interested!

(Let me know what you think in the comments.)

 

 

The Magic Shop Audiobook

by Justin Swapp | The Magic Shop Audiobook

 

The Codex Audiobook will contain the following content:

  1. Opening Credits
  2. Issues
  3. Mental
  4. Blue Room
  5. The Magic Box
  6. A Strange Sale
  7. Full Circle
  8. A Strange Visit
  9. Heist
  10. Aftermath
  11. Elba’s Test
  12. The Crypt Keeper
  13. The Catacombs
  14. A Gypsy and a Bottle
  15. The Great Faustino
  16. A Promise is a Promise
  17. Reservation
  18. A Matter of Time
  19. The Keeper
  20. The Kabbahl
  21. The Summoning
  22. The Shrieking Forest
  23. The Gnarliguts
  24. Their Uncle, Caleb
  25. Nevada State
  26. Homecoming
  27. The Brimlets
  28. The Fall of the Kabbahl
  29. Closing Credits

Some Fan Art

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